It was a helluva summer. Memorable, for many reasons, and full of cliff-hangers, car chases, stooge imbroglios and other fracases. The most important thing for me, as a participant in the many-striped summer of 2024, is that I finally put pieces together to elevate, to the extent that I can elevate, Abby Heller-Burnham in the world. I've been working with Abby and Abby material since 2012. This summer, two pieces from Something Solid did the full levitational trick for Abs I needed them to do: Feast or Famine in The Seattle Star and PennSound, and Portal-ways in William Allegrezza's Moss Trill and PennSound. Now, many more people can see into this gifted painter the right way, through someone who cares about her deeply. Peace.
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