Wednesday, August 23, 2017

From The Tool Shed...


As an archiving tool, archive.fo presents some distinct advantages, some distinct disadvantages. Pages generated by archive.is tend to be rock solid, and the archive.is servers are pretty solid too. The main disadvantage, as I see it, is about prestige. Archive.is can be employed as an archiving tool by anyone, at any time, for any reason. As such, the idea of adjudication, of a page judged by a serious authority to have or embody worthiness, for some solid reason, in the world, does not come into play here. Lowly pages receive the same treatment loftier pages receive. Thus, the rock solid pages generated by archive.is must accrue prestige based on an original source. This chips away at the kind of consummate package deal we are looking for in our quest for the perfect webpage; the page which has all bases covered, as the saying goes.

Saturday, August 19, 2017

Computer Raunch/Perfect Webpage


It's been a summer of computer raunch for me: from my hard-drive breaking down in June (many thanks to the masterminds at Silvertek in Broomall for assistance) to online operating systems breaking down. That's something about American life in 2017: computer issues will have you begging for mercy. Especially if, as is the case for me, your sturdy desktop set-up is your home, office, and den. As I continue my experiments with webpage archiving and preservation, I do now have a nominee for the most perfect Philly Free School webpage, the most solid all-the-way-round: the British Library version of my Argotist Online Apps/Sonnets page. The last capture, here, is from July 1, 2017 (and its initial twin is from February 15.) Once you have a well-rounded, solid webpage set in place, it is helpful to realize that it can't be truly perfect until a solid portal-page, which also must needs be highly prominent and visible, is set in place. Hidden gems are the way of the Net, but chip away at the aura of the "consummate" which I want pages like this to have. For now, a bunch of portal-way entrances on Blogger (including this one) will have to do for the page I've linked here. Also the attendant solidity quid pro quo is massive: the British Library Wayback Machine is tightly wound, compressed, compacted the right way to achieve maximum durability for its pages; yet the pages will not (as computer heads know) show up in searches on major search engines. So, the vision quest continues.

Tuesday, August 15, 2017

September Heat


That September night we followed our
party back to a twin near City Hall, under
an aegis which was not for us, & which
included our enemies, dirt & grime came
down, settled on our backs. Now, I blame
a sense of excess which was just the Aughts;
I got used to knowing a step up on a Philly
ladder could be a step down. They were
snorting coke in a room upstairs at this
party, and, it was rumored, playing Russian
Roulette. The pistol (I saw) had a silencer on it.
I looked up, from the landing, at a greasy light.
September heat cast an eerie glow of nowhere-
someone pushed past me to join the affair.

Saturday, August 12, 2017

Eyewear


The UK blog Eyewear has adopted a rather tumultuous approach to what stays and what goes, conservation/preservation, over a long period of time. Most of what I had on Eyewear as of '13/'14 is now erased. Yet, Eyewear is being archived by both the British Library and the Internet Archive Wayback Machines; and this page, from 2008, which contains my poetic apostrophe to Dawn Ananda Hulton, is here completely intact.

Friday, August 11, 2017

Another interesting Ur-page


Another now-offline Ur-page salvaged by the Wayback Machine: poems from Apparition Poems in Listenlight, ed. Mackenzie Carignan, 2010.  

Ricochet Matrix


Over a long period of time, I've noticed that having a large body of work online, in different/disparate disciplines (and representing interests, also, other than my own), creates what I call a ricochet matrix. An environment is generated out of different parts of a kind of organism here, so that when one constituent form held by the ricochet matrix changes in any way, expands or contracts, all the parts respond. Some of the ricochets held within the matrix structure flirt with the unlikely or absurd; por ejemplo, "Brown Eyes Like His" on Soundclick against the Kant-related pdfs on Internet Archive against the Sonnets/Apps on The Argotist Online against Abby's "The Walls Have Ears." The larger matrix structure, which both creates and constitutes the environment around/for everything I do online, is the architecture in Conshohocken, the Philly 'burbs, and in Philadelphia itself. Like a computer, a substantial architectural construct has inbuilt a kind of sentience, and interacts in a semi-sentient way with the world around it. Thus, King of Prussia, Gulph Mills, and Conshohocken are continually poured into my brain as ricochets against the smaller/larger environment of our online matrix as it develops, to nurture (as environment) other brains to remain expansive, too. 

Saturday, August 5, 2017

Tears in the Fence 66


Tears in the Fence 66 is now out and available to be purchased. It features two new sonnets from me, lots of other good stuff. Many thanks to David Caddy. 

Friday, August 4, 2017

Getting Tron'd Out


Computers, like architecture, I can still get mystical about. The big hang-up for me, as one playing the lit game (online and elsewhere), is this: the pursuit of the perfect webpage. Take it for granted, given the context, that I mean webpages related to poetry and literature. So, pilgrim-like, I have gone, and continue to go, in pursuit of the perfect webpage, and begin to get Tron'd out, as I realize, as most serious computer heads realize, that both webpages and the insides of computers are at least semi-sentient. Tron, a feature-length motion picture, was not as far-fetched as may have been supposed. So, if you have an almost perfect webpage established, it can be worked, trained, groomed, and unleashed all over again, if you can master the right stretch, compress, and archiving tricks; as though, of course, it were a child eager to perform, ready to learn. And all the warped proportions and strange juxtapositions of the architecture in King of Prussia are mirrored inside a hard drive used to push the human brain forward the right way.